Illustration Friday - Rescue

Final image

This week's 'Illustration Friday' challenge is the word "Rescue," and I am submitting a piece that I actually created three years ago. It was a piece I did for fun, my attempt at creating an image that looked like it might have come from a Little Golden Book.

I always loved the Richard Scarry books and his illustrations showing towns populated entirely by animals. In my illustration, an elephant is being rescued by a squad of dalmatian firemen.

Before I began painting (the final image was created in Painter 11), I created a few thumbnail pen and ink sketches in one of my sketchbooks.

You can see in the first rough sketch that I originally had quite a different look for the dog climbing the ladder. I didn't like his snout, so I changed it to a more boxy shape.

       

Once I was happy with my character designs, I created a cleaned up sketch. From there, I began filling in blocks of color, using Painter 11's chalk and pastel brushes.

Cleaned up sketch created in Painter 11

Starting to fill in areas of color

For the final stepped, I gave the elephant a warmer tone and some reflected light from the flames. This helped her to stand out more from the gray building. 

Illustration Friday - Jungle

My illustration as a repeating pattern

This week's topic for Illustration Friday's challenge is "Jungle." Once again, I have submitted an older piece that I recently reworked into a repeating pattern.

This illustration started out as a portfolio piece depicting various animals of northern South America's rain forests. From the start I challenged myself to show as many animals as possible (including a few birds and butterflies). After consulting a number of photographic reference books, I came up with a sketch that wove the animals together into a leafy background, joined together and encircled by vines. If you scroll down, you can see images showing the progression of the piece.

Some of the animals included in my design are: Brown Capuchin monkey, Two-toed Sloth, Silvery Marmoset, Brazillian Porcupine,  Greater Bulldog Bat, Murine Mouse Opossum, a Jaguar and her cub and a Quetzal. I was going for a sort of vintage children's book feel so I took a little liberty with how some of the animals look. In other words, I tried to make their faces a little cuter.

After completing the rough sketch, I began to block in some color.  I painted the image in Painter 11 and in order to be able to easily make changes in positioning and color, I used lots of separate layers. I continued to add layers and to block in colors and refine shapes, adding darks and lights as I went. I worked on this illustration on and off for several weeks during 2009 and 2010.

My original pencil sketch

In June of this year (2013) I resurrected the image and turned it into a repeating pattern for printing on fabric that I sell through my Spoonflower shop. Creating a repeating pattern out of a finished illustration was a bit of a challenge and I went through a lot of trial and error.  To do this, I opened the image in Painter 12 and captured the original image as a pattern.  When Painter asked me to name the pattern I was also able to select an offset.  Since I didn't want a straight across grid-looking pattern, I chose a 50% vertical offset which would stagger the image when it repeats. Once I had the pattern saved to the pattern library I went to the pattern menu and selected 'Check out pattern." This brought the pattern up as a native Painter rif file that had edges which would automatically tile.  In other words, when I painted off of the right edge, the same line would continue to paint in the correct location over on to the left edge. The same thing would happen for the top and bottom edges. Working in this mode is very memory intensive and it helps if you have a lot of RAM installed. I have quite a bit, but I still saw my brushes slow down when they approached one of the edges.

Every once in a while I would stop and save the image in two formats - as a native rif file so that the tiling would continue to be active when I reopened it in Painter, and as a photoshop file so that I could open it in Photoshop and quickly create a sheet where I duplicated the image several times to see how various elements along the edges were lining up.  When I was happy with how everything was lining up, I again saved the final version in Painter as a photoshop file. After opening it in Photoshop and making last minute adjustments on brightness and saturation levels, I saved the image as a jpeg for uploading to Spoonflower.

Initial color blocking with the sketch visible on another layer

Starting to add darks, more defined edges and smaller details

The finished illustration

Illustration Friday - Robot

My original, finished robot pattern

It's been a while since I've submitted anything for the Illustration Friday weekly challenge, but when I saw that this week's challenge was "Robot," I couldn't resist.  Coincidentally, I was working on an update of a robot pattern that I had originally designed for my Spoonflower shop. My aim was to create a fabric design with some kid-friendly, retro-looking robots.

My original pattern featured 5 different robots (plus one that was repeated within the basic repeat module). Below, is the sketch for their original design. To the right, is the finished color pattern showing how it repeats. To the finished version, I added some textures in Photoshop to help give the image the feel of vintage cloth.

If you scroll down to the bottom, you can see my updated version that uses the original robots, plus a couple of new ones.

The original sketch for my robot pattern

A test, using the sketch, to see how the pattern lined up when repeated

For the updated version, I added two more robots, and lots of little gears to fill in blank spaces. I also changed the color scheme.

My recent updated robot pattern where I added two new robots and lots of gears

A sheet showing how the new pattern repeats

Open This Little Book by Jesse Klausmeier
My rating: 5 of 5 stars

What Jesse Klausmeier’s “Open This Little Book,”  lacks in plot, it makes up for in cleverness and creativity. This is one of those books that is so clever in its concept that I found myself thinking, “I wish I had thought of that.” Klausmeier and artist Suzy Lee have come up with a book that makes the page turn an exciting event and have so smartly integrated it into the book’s concept that this is one book (like a pop-up book) I can’t imagine ever working on a Kindle. Part of the genius of this book is the change in page/paper size as the book unfolds. The title page itself is smaller than the page that comes before it and each page after that gets physically smaller until you get to the middle of the book where the pages start getting larger again. Now this may not seem like a stroke of genius to you, but the author and artist have brilliantly combined this size-changing concept with a simple series of events that will teach kids about size relationships, colors, animals, patterns and the joys of reading. One thing that I didn’t even notice on my first read was that the color palette changes as the story goes along. Each turn of the page adds another new color until the reader gets to the final illustration where the reader is rewarded with a beautiful illustration that uses the entire rainbow spectrum of color that we’ve been slowly introduced to. Suzy Lee’s illustrations, which in a few places remind me of William Steig, are charming and the last illustration in the book is so delightful, it gets my vote for best children’s book illustration of the year! This is a really clever and fun book.

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Brave Girl: Clara and the Shirtwaist Makers' Strike of 1909 by Michelle Markel
My rating: 4 of 5 stars

This non-fiction picture book by Michelle Markel is a fascinating and important look at an era of America’s history that saw the rise of the labor movement and life-saving changes in worker’s conditions. Told through the eyes of young Clara Lemlich, a recent immigrant who finds work in the garment industry, this is a story of one young girl’s struggle to make a difference in the world. With her father unable to find work, it’s up to Clara to help support the family. When she gets a job stitching blouses in a garment factory, her eyes are opened to the unsafe and unfair working conditions that women (and men) of the day were forced to endure. For example: if you pricked you’re finger and bled on the cloth, you were fired; if you were a few minutes late you lost half a day’s pay; the doors were locked and every night the workers were searched to make sure they hadn't stolen anything; three hundred girls had to share two toilets. Disgusted by these unfair practices, Clara urges the other girls to fight for their rights. This is a book about standing up for what you believe in, not backing down and showing the courage of your convictions. These are lessons that shouldn’t be forgotten and are as important today as they were one hundred years ago when this story takes place. The story is beautifully complimented by Melissa Sweet’s mixed media illustrations that combine watercolor and gouache with collaged and stitched pieces of cloth and torn paper.

One of Melissa Sweet's mixed media illustrations

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