The Matchbox Diary

The Matchbox Diary by Paul Fleischman
My rating: 5 of 5 stars

If you’re a collector or even if your just someone who occasionally saves a memento from a cherished event, you’ll love Paul Fleischman’s “The Matchbox Diary.” The book opens with a colorful illustration by Bagram Ibatoulline, a double page spread depicting a sunny room, filled with antiques. An old man is inviting his great-granddaughter to choose something from the room so that he can tell her a story about it. What she chooses is a cigar box filled with small matchboxes, each one containing a saved memento. The first one that the child opens contains an olive pit and with that, her great-grandfather begins his tale of his boyhood life in Italy and how his family journeyed to America. As a young boy, the old man’s collection began when he was inspired to keep a diary. But, since he didn’t know how to read or write, he began saving objects connected to a memory. As he shares the contents of each matchbox, the old man’s story unfolds. A matchbox containing a bottle-cap is linked to the first time he made a trip to Naples and had a drink from a glass bottle, a matchbox filled with sunflower seed shells is a reminder of the long voyage from Italy to New York. Each of these memories is accompanied by one of Bagram Ibatoulline’s magnificent illustrations. On one side of the page we see the matchbox with its contents that trigger the old man’s memories. On the other side of the page is a beautifully rendered scene that shows us the event connected to the memento.

Detail of an illustration by Bagram Ibatoulline
from "The Matchbox Diary"

Prior to this book, I knew Ibatoulline’s work from his splendid 2003 collaboration with Paul Fleischman, “The Animal Hedge.” Ibatoulline’s illustrations in that book were inspired by 18th and 19th century American folk art. The illustrations in “The Matchbox Diary,” are the complete opposite in style. The illustrations in this book are done using acrylic gouache in a photo-realistic style, similar in a way to some of Allen Say’s books, such as “Grandfather’s Journey.” Ibatoulline’s illustrations in this book are marvelously detailed, the kind of illustrations that will reward you with repeat viewings. The renderings of the matchboxes are so carefully done, that you can almost feel the worn edges and the crumbling cardboard. The detail in the sepia-toned flashback scenes really help bring the past alive. This is a wonderful book, not only for introducing the concept of a diary to a young child but also perfect for exploring memories and in explaining the immigrant’s experience.

Detail of an illustration by Bagram Ibatoulline
from "The Matchbox Diary"

Detail of an illustration by Bagram Ibatoulline
from "The Matchbox Diary"

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Illustration Friday - Diary

I'm a little late with this week's 'Illustration Friday' challenge. I was on a road trip in southern Wisconsin with my partner when I received the email with this week's word, which is "Diary."  I was so busy traveling and sight-seeing that I didn't have time to do any sketching until I got home, but each night before I went to sleep, I mentally thought out my image.  I knew from the beginning that I didn't want to draw a representation of someone writing in a diary, so instead I decided to go with a scene of someone discovering a diary. As soon as I decided this, I also decided that I would use a character that I created a few months ago for an illustration that I did for my portfolio. That illustration depicted a boy in a haunted house, who discovers a strange ghostly creature is watching him from a darkened doorway. I started to think of this diary image as a sort of prequel to my haunted house image. Because of that, I wanted to make it atmospheric and have it dramatically lit. I hope I succeeded.

I started off by doing a quick sketch in my sketchbook. Sometimes, I'll scan my sketch and work directly from that, but this time, I drew a new digital sketch using Corel Painter XI. Here is the sketch from my sketchbook and below that is a screenshot where you can see my new digital sketch.

In the digital sketch, I used various conte brushes to add some shading and to start determining where some of the dark shadows will be. If you compare this sketch to the one from my sketchbook, you'll notice that I've opened up the space a bit.





In the next screen shot, I've started to block in some background colors, mostly tans, and shades of brown.

Here you can see that I have most of the colors blocked in. In this screen shot I've turned off the sketch layer and the layer with the conte shading.

In the next shot, you can see what the same image looks like with the sketch layer turned back on.







Below that, is a screen shot where the layer with the dark conte shading has been turned back on.





In the last screen shot, you can see a close-up of where I'm adding some details, in this case, some spider webs.  The drawing of the woman in the framed picture is based on an old photograph of my grandmother. She was 40 when my dad was born in 1918, so if she were still alive, she'd be 132!