Showing posts with label 1930's. Show all posts
Showing posts with label 1930's. Show all posts

Sunday, June 06, 2010

Illustration Friday - Trail



Another Friday has passed, meaning another word/picture challenge for "Illustration Friday."  This week the word is 'Trail,'  a word that can be used as a verb or a noun.  Even with all of this word's various meanings, I didn't feel particularly inspired.  I thought about skipping the challenge this week or posting an old illustration that would have fit, but I felt that would have been lazy. So, I did what I do whenever I'm not particularly excited about a project, I tried to find a way to make it more interesting for myself. In this case I decided to see if I could recreate a style from an old Disney book that was published in conjunction with the release of "Song of the South." Many of you probably know that there is a lot of controversy surrounding this film, compounded by the fact that Disney has withheld it from being released on home video, but my interest in this book has to do with the art created for the Brer Rabbit stories and not the film's politics.

Looking at the brightly colored paintings done for this adaptation, I was reminded of some of the landscapes by regionalist painters of the 1930s and 40s, in particular, Thomas Hart Benton. Of course these paintings, done for a Disney retelling of the Uncle Remus stories, are much brighter and I suppose one could say more garish and cartoony, but there is something in the way the rolling hills are depicted, the rounded tree tops, the way the light falls on the land, that reminds me of regionalist landscapes.

I decided to make my interpretation of 'Trail' be a trail that is leading into a forest.  At the end of the trail is a sunlit cottage. In the background, over the tops of the trees you can see hills of rolling farmland. My one fear in creating this piece, mostly because of the presence of the cottage, was that this would turn out looking like a Thomas Kinkade piece of dreck. I suppose I could have placed something less corny than a cottage in the forest, but when I'm creating settings, I often paint places that I would like to be in or visit, and I can't imagine anyplace cozier than being in a cottage in the middle of a forest.  So, yes, I admit it's a bit corny, but if you knew me, you'd know I'm a corny kind of guy.

Update- the day after I finished this piece and posted it to this blog, I decided to go back and add a figure on the trail, a little gray rabbit who has just spotted the cottage.

I'm posting a couple of images that inspired me from the book "Walt Disney's Uncle Remus Stories," with pictures by Al Dempster and Bill Justice.

Below, I'm including a couple of screen shots that show my progress in creating my final painting.


Sunday, April 18, 2010

Vintage Coloring Books Part 1

I have to admit that I have a fascination with old coloring books. I had a lot of them as a child and even though I remember spending lots of time coloring in them, I also remember that it was an activity that I frequently grew bored with. I would often start a picture and then want to move on to another activity. I preferred drawing my own pictures to coloring someone else's. Maybe that is why so many of the coloring books that I saved from my childhood, have pictures in them that are only partially colored or not colored at all. I think our mom, like a lot of moms, probably gave us coloring books because it was a quiet activity that would keep us out of trouble for a little while.

Regardless of what I just said, I still have a fondness for old coloring books. Part of it is a fascination with the imagery. I like the bold, heavy-line, comic book style of drawing that is a hallmark of these inexpensive publications. Sometimes some amazing graphics can be found in these books. I'm also fascinated by what sort of subjects were chosen to be included.

One of my favorite coloring book covers belongs to the "Jack the Giant Killer" coloring book that came out in 1963.  If only the inside drawings were equal to the humorous cover image. Unfortunately what is inside is quite uninteresting.  In fact, this book contains what I think must be the most boring coloring book image ever published - an image of a rope noose.  A child was supposed to find that an interesting subject to color?  There is so much going on in the caption below the picture - Jack escaping from prison, Jack making the noose, couldn't they have illustrated one of those scenes instead?  It just seems lazy on the part of the artist to show only a piece of rope. You can see by the image on the right, that it remains blank, attesting to the fact that I had no interest in coloring a noose. Very little of this book is devoted to the exploits of Jack the Giant Killer.  Instead, there are stories about Samson (I never knew he was considered a giant), Hercules, Atlas, David and Goliath and Paul Bunyan.  In the hands of a more imaginative artist, this could have been a really fun book, but unfortunately all of the images are simple and dull.

A book that is much more imaginative is one that is called "Color Everything Book."  There is no copyright date on this book, but judging from the illustrations, I imagine it is from the late 1950's or early 60's.  The cover image on this one is quite funny.  A little boy with his paint brushes in hand, has taken to heart the message in the book's title - he is coloring everything, including the cow and the pig who look at him angrily after he has painted them with dots and stripes.  The images on the inside are done in an entirely different style, they have a rather mid-century modern look to them and they are quite wonderful. They depict children taking part in various activities, usually with an animal companion at their side.  One thing that is very unusual about this book, something I've never seen in another coloring book is the inclusion of a small image in the lower right corner of all of the right hand pages that acts as a flip book.  It is a sequence of images of a bunny riding a unicycle that comes to animated life when you flip through the pages rapidly. It's just another example of this book's creativity and imagination.

The last third of the book contains a section called "Simple Objects to Color," with drawings done in a more traditional style.  It makes me wonder if the artist of the first two-thirds of the book ran out of time or ideas.  To me, this last section of the book looks like filler that might have been left over material from an entirely different, possibly even older coloring book.  Some of the images are rather bizarre.  Is that worm-like thing with the round body segments and female head (see image at right), some sort of a child's rattle?  And is there a reason that it's paired with an antique telephone? 
 


One of the oldest coloring books that I've had since I was a child, is sadly in very poor shape. It's a coloring book devoted to the singer Patti Page.  I would love to know what the cover of this book looked like but unfortunately it's missing and some of the pages have been ripped out. Judging from the condition of the book and the way the images have been colored, it must have been one of my first coloring books.

A few of the coloring books that I have in my collection I purchased as an adult at garage sales.  You can usually find them at very little cost.  This one, titled "First Color Book," I found for 75 cents.  The images in it are fairly uninteresting, but the thing that is interesting about this 1969 publication is that it is in mint, unused condition.  Not a single image has been colored.  As I said though, the images are rather dull as you can see from this drawing of two dogs.  It's obvious that only one dog was drawn and then flipped around to create the second dog.  That's just plain lazy if you ask me.

Another coloring book purchased at a yard sale was this one titled "Big Painting and Coloring Book."  Dating from 1934 it is also the oldest coloring book in my collection.  It's a great hodgepodge of a book filled with funny animals, scenes from fairy tales, a how to draw section, a section of Native American patterns and even botanical information.










Saturday, April 17, 2010

Illustration Friday - Detective

When I saw that the Illustration Friday word for this week was "Detective," I immediately thought of two ideas.  One was to go back to the elephant and dog characters that I created for the "Rescue" and "Dip" entries and have them working as detectives.  But my other idea prevailed.  The idea that I decided to go with was inspired by some of the old movies I used to watch as a kid on television back in the sixties and seventies.  I'm talking about movies like "Home Sweet Homicide" starring Peggy Ann Garner and a very young Dean Stockwell and the original Nancy Drew movies starring Bonita Granville.  These were movies from the late 1930s and 40s that featured children and young adolescents playing as detectives.  Of course in these films, the kids would always end up solving the case that had baffled the adults.  Sometimes there would be a romance featured as part of a subplot.  In the case of "Home Sweet Homicide," the three children who are trying to solve a murder in their neighborhood are also trying to hook their widowed mystery-writer mother up with the detective (Randoph Scott) who is trying to solve the case.  In these movies, there were usually several kids involved, either a brother and sister, several siblings or a group of kids who lived in the same neighborhood and were friends. These films often took place in small town backyards, alleyways, home made club houses and Main street ice cream parlors.

So, in tribute to these films from a more innocent time, I created a scene with 4 children who have discovered a lost bag of money in an alleyway.  But unbeknownst to them, the thug who stole the money and dropped it during his getaway, is watching the children.

I'm also including my original sketch for the idea and a screen shot that shows my progress along the way.  You can see that I made several revisions to the original sketch.  Originally I just showed the three children discovering the money bags.  Then I decided that the image needed a menacing figure in it, so I added the thug who is watching them from around the corner of the fence.  Then I decided to add another little boy as part of the group.  I also had the original little boy lean over, using his magnifying glass to look for clues.  And, for those who might be interested, I'm also posting a couple of photos that I used for reference for some of the children's clothing.  These are images that I found on the internet from the movie, "Home Sweet Homicide," from 1946.  This is a movie I have very fond memories of watching on television as a kid, when I'd be home sick from school.

I dedicate this week's illustration to the memory of Peggy Ann Garner, Bonita Granville, Connie Marshall and Dean Stockwell, the best juvenile detectives from the golden age of cinema.

Friday, March 26, 2010

From my Ephemera Files


As an illustrator and graphic designer, I'm always keeping my eye open for interesting images, illustrations and designs.  I especially have a love for vintage illustrations and graphics, so when I saw these unused beauty and hair product labels a number of years ago at a flea market, I had to have them.  I don't remember exactly what I paid for them, but I do remember they were inexpensive.  I think I got an entire envelope of them for five or six dollars.

They all seem to be aimed at the African-American consumer.  Judging from the somewhat Art Deco graphics, I guesstimate that these are from the late 1920's or early 1930's.  For some background information on the Famous Products Co., the company that produced these items and for a cultural analysis of their imagery, check out this website on Lucky Brown Cosmetics.