Illustration Friday - Puzzled

Another Friday has come and gone and with it, another 'Illustration Friday' challenge. This week the word is "Puzzled." For some reason, this word made me think of that scene in Disney's "Dumbo," where the little elephant wakes up after his accidental drinking binge and discovers that he is up in a tree.  Of course he's puzzled by this, how in the world did he get himself up a tree? Of course the audience knows that he flew up into the tree with his gigantic wing-ears.  Anyway, my dog is obsessed over squirrels and I know she would do anything if she could get up in a tree to catch one.  I know I would certainly be puzzled if I went out into our yard and found her sitting up in a tree.  So that's where I got my inspiration for this week's word.

Lately, I've been doing some experimenting with Painter 12's real watercolor brushes which is what I ended up using to create the finished artwork. By the way, you can click on the image to see it larger. I did several sketches before I finally got the dog and the little boy the way I imagined them.  My progression of sketches is below.

Illustration Friday - Vocal

My first thought for the word 'Vocal,' which is this week's "Illustration Friday" challenge was of someone singing or yelling.  When I sat down to start sketching I began to draw a little boy.  During my lunch break, just prior to beginning this drawing, I had watched an early episode of "The Andy Griffith Show," and my drawing ended up looking like Opie Taylor as played by a very young Ron Howard. When I realized I was turning him into Opie, I googled the character and came up with a reference photo of Opie singing (or maybe he's yelling, though I don't recall too many episodes where Opie yelled). Anyway, I used the photo as a guide for the mouth, but as you can see I made some changes. I gave my boy, a gap in his teeth and I decided to have his eyes open.  I also turned his head slightly.

Below are a couple of early pencil sketches.  As I worked on the image, I decided the composition needed something else so I added a dog, which I based on a photo of my own dog, Poppy. The pencil sketches, as well as the finished illustration were done using Painter 12.

First sketch

Sketch after some clean up and shading

Are there places you'd like to return to?

The first version, painted in Corel Painter 11.

The word for this week's 'Illustration Friday' challenge is "Return." I've been thinking a lot lately about a place where I use to live. It was an old farm house in Washington state that was situated across the road from a meadow on the edge of a small forest. It was a place where I use to walk my dogs every day. I moved away from there 5 years ago when the relationship I was in fell apart and I've never felt as homesick for a place as I have for that house, meadow and forest. Lately I've begun to dream about it. For the past couple of months, I've had a dream almost every week that I have returned to that location. The house has since been sold and someone else now calls it home. I will probably never go back there, I think it would break my heart to go back and see someone else living in a place that I once felt was mine. But it did inspire me to create this image of an old woman returning to a favorite spot. Maybe it's a spot that she's never left, but returns to every day on walks with her dog.

I painted this illustration in Corel Painter 11 and then played around with it a bit, creating a new version by tweaking it in Photoshop using a Mister Retro filter to give it a sort of aged graphic feel. I then imported that version into Illustrator where, using the 'Trace' feature, I turned it into a vector image which simplified the shapes.  I saved that image as a tif file and then reopened it in Photoshop where I adjusted the colors.

The 2nd version, using the Mister Retro filter in Photoshop which added halftone dots.

The vector image version created in Illustrator and then adjusted in Photoshop.

My First Story for FarFaria

FarFaria is a recently launched storybook app for the iPad.  In early January I was contacted by one of their Art Directors who had seen my online portfolio on the SCBWI site.  To make a long story short, after a nice phone call from their CEO, I was hired to do illustrations for one of their projects. I began work on the story at the end of January and finished it about 5 weeks later.  The app was launched on February 14th and my first story, "The Magic Fish," was published last week.

After they sent me the manuscript, I was asked to do a series of thumbnail storyboard sketches plus a color sketch of the main characters.  Once these were approved, I proceeded with the final art.  For the final art, FarFaria provided me with a template and detailed instructions on how the art needed to be set-up for their app's layout.

Here is one of the thumbnail sketches and then a cleaned up version that I prepared for the final art.

Here is the sketch that I submitted to show the characters and my color scheme.  The first draft of the manuscript that I received had the fish changing color as the story progressed.  After some revisions, it was decided to have the fish remain the same color throughout. 

Below is the final version of the art that is shown in the sketches at the top.  I created the final art using Corel Painter 11. This scene takes place after the fisherman has returned for the second time to ask the Magic Fish for a favor for his greedy wife. Each time he returns to the fish, the sea and the winds have gotten rougher.

The top image shows the illustration with the template turned on.  The shaded area around the edges is a padding area which is like the 'bleed' area for a printed page.  the white space in the lower half of the image is where the text will be dropped in.  The main part of the image needed to be visible in the upper half of the image above the white area and not be hidden by any of the shaded areas.  The bottom image shows the illustration with the template layers turned off.

More from Erik Blegvad

This past Christmas, one of the gifts I received was a vintage copy of "Dusty and the Fiddlers," by Miska Miles with illustrations by Erik Blegvad.  Followers of this blog will know that Blegvad is one of my favorite illustrators,so it should come as no surprise that I was delighted to receive one of his books that I was not familiar with.  The book was published in 1962 by the Atlantic Monthly Press as part of their Weekly Reader Children's Book Club. It's a charming little book, just a little over 50 pages long that is about a feud between two fiddle players and how the feud is resolved by an ingenious young boy named, Dusty.

Blegvad created a number of double page spreads for the book, but instead of having the illustrations run across the gutter, he split the spreads into two illustrations.  This was a smart move on Blegvad's part and I'm sure he planned it this way to keep his detailed line work from getting lost in the gutter of the book. You might think that a wide gutter between the illustrations would be distracting, but Blegvad skillfully composed each side of the page so that each half of the illustration was able to stand on its own, but when you pair the two together, you see one panoramic scene.  As usual, Blegvad's illustrations are filled with wonderful details, and yes, the artist's trademark little black cat appears in many of the illustrations.

In the images below, I've included both sides of each double spread as they appear in the book, including the text so that you can see how Blegvad composed his layouts.

In this illustration, I particularly like how Blegvad has used the barn to divide the image.  On the left side, we see some of the guests as they arrive at the party.  On the right side, we see more guests on their way.  Each half of this two-part illustration works beautifully on its own.

In this illustration I think it's interesting how Blegvad has split the space to accomodate the text.  On the left, the text is above the illustration of the audience, while on the right, the text takes up the lower part of the page and is placed beneath the illustration of the performers.  Once again, each of these illustrations can be looked at as separate, beautifully designed compositions, each with their own balance of lights and darks and areas of interest.

I love what's going on in this illustration, a scene of a busy train station with a train just pulling into the station. On the left we see the train has arrived, a dog is barking, people are rushing to catch it and a little girl covers her ears to block out all of the noise. All of the activity on this side of the illustration lends it a sort of snapshot feel.  On the right, the scene is calmer. We see Dusty and Viola sitting on a trunk where they have been waiting for the train.  They look off to the left, their gaze carrying us back across the gutter to the train. Some other nice details on this side of the illustration are the two swallows perched on the telephone wire, about to be joined by a third bird, and the horse in the pasture that is running toward the train. A man on the right edge of the illustration is also looking toward the train. His positioning, which is almost a mirror image of the position of the little girl on the left, makes a nice bookend for the illustration.